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5 Questions for Sockupied Editor Amy Palmer, and Contest!

February 16, 2015 by Jennifer Raymond

Welcome to Tinking Turtle’s week of 5: 5 Interviews, 5 Patterns, 5 Designers, a 5 day extravaganza to celebrate the newest issue of Sockupied: Spring 2015. This issue is very special: it’s the first issue that new Sockupied Editor Amy Palmer curated from start to finish. It also marks Interweave’s Sockupied being released in a new format – an easy to download PDF that’s viewable on a variety of devices!

Today’s interview is brought to you by my own pattern, Karner Butterfly, and Anzula’s beautiful Squishy. Instead of interviewing myself, I thought it’d be more interesting to talk to Amy Palmer, and boy are you in for a treat! Amy Palmer is the lovely editor of Knitscene and Sockupied. When she’s not thinking about knitting, she enjoys learning the violin and reading comics. I love how Amy gives us a glimpse into what happens behind the scenes at Interweave!

This is the first issue of Sockupied you curated start to finish! Tell me a little about why you picked these five designs for this issue. What were the considerations you take into account when creating a collection of socks?
Amy:I wish I could say there was some magic formula to choosing sock patterns for this issue, but mostly it was “ooh that’s pretty!”

I reached out to Rachel Coopey and asked her to be the featured designer, then let her run with her design—she showed me some sketches of her Laith Socks but Rachel’s such a great designer of fun-to-knit socks I never felt the need to peek over her shoulder, so to speak.

One of the things I’d loved about previous issues of Sockupied was the One Sock Two Ways pattern, and Mone Dräger’s submission for Chains Socks was absolutely perfect for that feature.

Kate Atherley’s Washington State Knee Socks grew out of a batch of ideas she’d sent me for Knitscene, I think. The accompanying article was something I knew I wanted to read—I love the look of knee socks but, as a lady with substantial calves myself, I’ve always been a little leery of putting in the time and effort to customize them.

I thought the Karner Butterfly socks you’d submitted were a really cool take on knitting a cuff, though I then had a lot of trouble figuring out if they fell into the “top down” category or if they just needed their own identifier!

Finally I loved M K Nance’s swirling ribbing on her Mill Ends Socks. Now that I think about it there’s a bit of swirling in that pattern, Chains, and Laith. I like swirls, I guess!

Inheriting this project from Anne [Merrow] meant I had some guidelines to help me, which was really helpful. I didn’t have specific themes for the patterns themselves, but I tried to tie everything together with yarn color and photography—the blues and greens of the yarns felt really cohesive, and shooting everything in one location in a lifestyle-photography way really appealed to me, coming from Knitscene where I try to photograph the stories very thematically. But I knew I needed a mix of toe up and top down socks. Sockupied is aimed at experienced sock knitters AND a digital product, so I knew that I could include projects that seemed more challenging to my Knitscene-trained eye without worrying about difficulty level or page space.

How do you make decisions as far as yarns or colors? How much do you take into account designer’s vision vs. wanting the collection to work together?
Amy: Generally I have a working palette, but since the samples are also returned to designers and I want them to enjoy them, I do try to work with designers on color. If I pitch a color and a designer just isn’t feeling it, there’s always some other color that fits into my palette that we can agree on!

All the designers were working on our socks during the Summer of 2014, and sent them to you shortly after, where you saw them for the first time. What happens after you get the designs?
Amy: In a typical magazine production schedule, projects and patterns go to tech editing within a few weeks after the samples arriving in the office. For Sockupied, I needed to get things photographed sooner rather than later due to Knitscene schedule conflicts. The socks for both Spring and Fall were photographed in early September, then the Spring socks were sent to tech editing.

This photo shoot was a fun experience—we shot both issues in one day. The morning/Spring shoot was done at the house of our managing editor, Allison, and she’s also our model (along with her incredibly photogenic golden retriever, Henry). Then we moved locations for the Fall shoot and I’m not telling you anything more about that because it’s a secret. 😉

Did you run into any problems or challenges when you were working on this issue of Sockupied? What did you, or your team, do to overcome it or problem solve it?
Amy: Because I was new to the Sockupied process and not familiar with the schedule, I accidentally backed myself (and by association, my designers—sorry!) into a bit of a corner with getting samples made.

I can’t stress enough how appreciative I am that everyone involved, especially with this Spring issue, was understanding and able to work with me and I promise I don’t usually cut things quite so short! Because our graphic designer for Sockupied is also the graphic designer for Interweave Crochet and Knitscene, we ran into a bit of a crunch as she was working to get Interweave Crochet Spring 2015 out the door, but we’ve kind of become pros at turning files around quickly.

What are 3-5 things you are loving lately?
Amy: I’ve become incredibly enamored with embroidery of late—my mom had given me a bunch of her old embroidery samplers and I’ve been working on one of them, which has led me down a dangerous rabbit hole where things like cross-stitch patterns from Satsuma Street make me really excited (I blame Allyson Dykhuizen for that link). I’m also trying to work on the ones I have so I haven’t purchased any patterns yet.

It’s no secret that I’m a bit of a nerd, so I’ve been working on my embroidery and knitting projects while re-watching Star Trek: The Next Generation. (Thanks Netflix!) I’m loving this because it reminds me of when I was a little girl—this was the first show I remember watching with my dad and it was our “thing” for a while. Plus it’s great crafting entertainment!

And this may seem like a cop-out but I’m really really excited about Knitscene Summer. We have some incredible projects in this issue and the photography was just so fun and fresh I can’t
wait to share it with everyone. This issue also marks my debut as a garment designer so that makes me kind of nervous in an excited kind of way. So I guess I should get back to work on that, huh?

Today’s interview is sponsored by Karner Butterfly, my own socks! Karner Butterfly was inspired by the small blue butterflies native to my hometown, in an area called the Pine Bush. The Karner Butterflies are more commonly known as Karner Blue – the butterfly being a bright blue with small gold spots. The butterfly’s habitat depends on the growth of the plant blue lupine, and as such, is endangered.

The blue and gold of the butterfly a almost perfectly captured by Anzula’s Squishy in Teal and Maple. Many thanks to Anzula for providing yarn support! Anzula also provided one of the prizes in the giveaway: a skein of Squishy!

To enter the contest, use the Rafflecopter widget below! You can enter the contest multiple times by doing different things – so have fun with it. We will have three winners to the drawing, be sure to scroll through and see all the great prizes!

a Rafflecopter giveaway

Karner Butterfly: Sockupied Spring 2015

February 13, 2015 by Jennifer Raymond

This marks the release of Sockupied’s Spring 2015 issue, and I can’t tell you how excited I am to finally share my design with you! Karner Butterfly is a pair of socks near and dear to my heart: I knit them (and a sock pattern that will be coming out in the Fall) on my family’s vacation to the Mediterranean.

Yes, you heard that right, I was “working” while on holiday: while my family packed bathing suits and suntan lotion for the cruise, I was deliberating over the needles I would need for the trip.

When I look at Kerner Butterfly all my memories are tied up in spending time with my family: my mother, father, sister and two brothers. It’s memories of vivid colors.

Of dreamy landscapes

Of absolutely clear waters

Of bonding with Murano lace-makers on knitting and lacework

It’s of snatching stitches in wherever I could, and carting my knitting everywhere in my blue bag

It’s of my father (Papa Turtle) finding knitting in the most unlikely places

In a way it makes sense, as Karner Butterfly Socks are named for an area of my hometown, a geologically unique area called the Pine Bush, home to the endangered Karner Blue Butterfly. No wonder I should be fated to knit these socks while with my family, named for the place where I grew up.

You should check out my socks, and the other patterns in Sockupied– it’s a great issue!

PS: I’ve got an amazing lineup of blog posts for you next week! Stay tuned for some fun stuff!

PPS: The contest for Jen Lucas’s book ends on Sunday! Don’t forget to enter, and share the contest with others!

Sock Yarn Shawls II Review & Contest

February 11, 2015 by Jennifer Raymond

Jen Lucas is a designer I’ve been aware of for a while. How could I not know about her stunning shawl patterns? We also, if you haven’t noticed, had the same name, and I generally keep an eye on the other designer’s with the name of Jennifer – call it a sense of kindred names.

Recently I got my hands on Jen Lucas’ newest book: Sock-Yarn Shawls II: 16 Patterns for Lace Knitting. I’ve spent the last two weeks with the book, reviewing patterns and sinking my teeth into the book, and I wanted to share my thoughts here.

First off, the book is gorgeous. The clean and simple lines mean the focus is really on the patterns. The book’s model is also a POC, which is wonderful: all too often in the knitting world the models are of western descent.

The book is divided into three sections: Small Shawls (featuring 6 designs), Midsize Shawls (featuring 7 designs), and Large Shawls (featuring 3 designs). While I would have liked one more larger shawl, I also have to admit that the larger shawls feature a LOT of knitting. And several of the Midsize Shawls could have extra repeats to make them bigger. Overall, I think the spread and sample size is fairly balanced.

Sunburst

It is now time to declare my bias: I tend to prefer shawls that are solid most of the way through, with a lace edging. Allover lace patterns, while lovely, aren’t generally my cup ‘o tea, but I understand some people love them. My favorite patterns ended up being Sunburst, Earth and Sky, and Floe. Still, the Lycopod, which is the pattern on the cover, is also gorgeous, and I’d think about modifying the shawl to suit my tastes.

I love the amount of variability in shape and construction the shawls have. I also love how closely Jen’s color taste aligns with my own. I also love how each pattern has some good close-up shots of the lace, to give you a really good sense of how the lace flows and looks.

On a last note, how approachable is this book to someone who has never done a lace shawl before?

The book has a lovely introduction on managing stitch markers (a must for lace knitting!). I do wish there’d been a mention of lifelines, considering there’s a few different shawls I’d be tempted to use them on. However, lifelines are sometimes hard to explain concisely in pictures, so I could see how there might have been a page limit. There’s also an excellent pictorial reference section, with good pictures on knitting a garter lace tab, and a few other helpful tutorials when working with lace. Some of the smaller shawls would definitely be approachable to beginners, and you could build on that success.

Sock Yarn Shawls II is available for sale on Amazon as both a physical book and an e-book. It is also available as a Ravelry Download. If you love lace, you should pick it up!

And as an extra-special reward, I’m running a contest where one of you will receive a free copy of Jen’s book! Just enter the Rafflecopter widget below!

a Rafflecopter giveaway

Introducing: Ravelry 101

February 10, 2015 by Jennifer Raymond

One of the most frequent questions I get from former students is, “When are you going to be teaching nearby again?” It’s an understandable question, considering that I’m often teaching at wildly different venues along the East Coast.

Which is why I’m pleased to announce a new venue for teaching today! I’ve partnered with Interweave’s Online Learning Department to bring you two classes on using Ravelry. Ravelry 101, will run live on February 18th, 2015, and Ravelry 201 will run 2 weeks later, on March 4th. Both classes run for an hour, starting at 1pm EST. The best part about the class? You don’t have to be there live to take the workshop! After the class is recorded, you can access the video whenever you want to watch it.

I’d like to take some time to highlight Ravelry 101 today, and explain why you’d find the class valuable.

First, what is Ravelry?
Ravelry is a website that is both a database of patterns and a social place to interact with other knitters, crocheters, and yarn enthusiasts. Just this month they tipped over into 5 million users! It’s an incredibly powerful tool for knitters and crocheters. When I worked in my LYS, I consulted it often to help customers find patterns, learn more about a yarn used in a pattern to make knowledgeable yarn substitutions, and to discover if a pattern had mistakes or errata.

Why would I find Ravelry 101 helpful?
As I mentioned, I often use Ravelry for a variety of purposes. Ravelry 101 focuses on the database side of Ravelry, and how it can be used to make your life easier. During Ravelry 101 I’ll show you how you can easily search your paper library, to find that “one pattern” that you saw in a magazine 3 years ago. I’ll show you one of my favorite tricks to picking out a pattern using Ravelry’s advanced search functions. I’ll also break down how Ravelry is organized, making sure you can always find your way to what you need and want!

Where can I buy Ravelry 101?
Ravelry 101 is being run by Interweave’s Online Learning Platform. This means that you can take the class live, at 1 pm EST on February 18th, or at any time after that! Signup is easy, just go to http://www.interweavestore.com/ravelry-101 to signup and add the class to your basket. The best part? It’s only $19.99 – an incredible deal for one of my classes!

I look forward to joining ya’ll on February 18th – I’m really looking forward to showing you what I love about this website!

Breaking it Down: Russian Join

February 2, 2015 by Jennifer Raymond

The Russian Join is one of the tricks I love to teach in my class. It’s a great way to join two yarns, and I love how strong the join is! While sorting through some photos on Friday, I realized I’d taken all the photos to do a tutorial on the Russian Join… and simply had forgotten to post them.

So here you go: my tutorial on the Russian Join!

If you enjoyed this, share it with others! Pin, tweet, or post this to facebook!

Additive and Subtractive

January 24, 2015 by Jennifer Raymond

I’ve been working on a skirt this week using some lovely wool fabric my mother and great-aunts had, and it’s been going very well. This morning I set in my invisible zipper (my first zipper set into woven fabric – gasp!), and I’m pleased at the results. I guess reading sewing blogs for 3 years means you pick up something!

But it’s got me thinking about the differences between sewing and knit/crochet – and this morning I finally hit on why I’ve not quite ever taken to sewing the same way that I do knitting.

It’s all about the addition and subtraction.

You see, when I took my two sculpture classes my senior year of college, I generally liked the types of sculpture that were additive; that is, I liked things that started from nothing and I added material, shaping it along the way. I liked things like clay, wax-work, and plaster.

Plaster sculpting was perhaps my very favorite medium, because it was additive as well as subtractive. Plaster bonds to itself very well, and after you add plaster to already existing plaster, and it sets – it’s like one whole piece of plaster. You can then chip away at the material you added, for further shaping purposes.

Activities like woodwork were harder, because you had to plan things out ahead of time. With the exception of wood glue, the place where you fasten wood together will always be weaker than the rest of the wood. Places where you use things like nails, joints, or staples will always be weaker than the original whole thing.

Sewing is like wood: the seam is nearly always the place where a garment wears out. It’s also a subtractive craft, to me. Each time you shape a piece of cloth, you start by a large piece and you gradually cut stuff away to shape it (using darts, for example). You might add more fabric, but there will always be a join.

It is perhaps not a coincidence that when I started doing sewing crafts, I started with quilting, which is much more of an additive activity.

Crochet and knitting, on the other hand, both start with nothing, and you add more and more stitches to make the thing. If you mess up with crochet or knitting, you can pull your work out and start again (it’s a pain, but you can do it).

Whereas sewing, if you make a mistake with your cutting… well, you’ve just ruined that piece of fabric.

Do you do any other crafts other than knit or crochet? Do you think of them as additive or subtractive?

Pictures from Atlantic Beach

January 21, 2015 by Jennifer Raymond

As promised, some of the shots from Atlantic Beach. The light the one evening was stunning!

In other news, I’ve been doing a little bit of sewing… one of my goals this year was to try and learn how to sew some basic skirts – both because I figure they’re pretty forgiving, and because I know I’m not so very good about reading directions – and I figure I can’t fall too far astray with some circle skirts or other items. We’ll see how it goes!

Do you have any sewing experience? What do you like sewing?

Crocheting and Atlantic Beach, repeat

January 18, 2015 by Jennifer Raymond

Cameraphone Pic

Mr. Turtle’s parents have a tradition of going to Atlantic Beach in the off season. This weekend we’re with them again, and I keep having moments of déjà vu. Not quite a year ago, I was at Atlantic Beach with Michael’s family. And again, I’m working on a crochet project for Annie’s, though their quite different.

I finished the main part of the crochet project about an hour ago, and while I still have to weave in the ends, the beach is calling to me. This morning we woke to have the sky looking dark and ominous, but the rain cleared by lunchtime and I’m ready for a walk.

I promise, some better photos when I return home and have the powerful computer so I can download the pictures.

Papa Turtle and the hunt for “Flawless Knit Repair”

January 15, 2015 by Jennifer Raymond

This is a little bit of a story about my parents… specifically, my father. I’ve talked before about how supportive my parents have been of my choice of career, housing me when I went to Rhinebeck, and in the case of my mother, attending the event.

My mother, having needlework as a common language (her sewing, and me… well, everything), sometimes understands what I do in practical terms a little more. My father on the other hand, understands the business side of being self employed a little more, being a numbers man. He’s the guy who first taught me how to use an Excel worksheet, and taught me how to setup my Outlook when I got to college.

You should also know, before I proceed anymore, that my father loves the hunt of a good bargain. He collects Matchbox and Hotwheels cars, and every antique store, Toys ‘R Us, and flea market is an opportunity to find something interesting.

So about six months back, I mention that I wish I had something to display my knits on that was a little more… professional than my Duct Tape Dress Form. Sometime like some feet forms, a head, and perhaps another mannequin (because 2 just isn’t enough). Rather quickly, my father finds the perfect torso mannequin, from a woman who had just reduced the price.

The next month and a half Dad starts emailing me mannequin heads. We cannot find a good one. Some are too realistic, and look creepy. Some of them are simply too beat up. Then, one weekend, I get a call from my parents. They are on a hunt for a copy of Piecework Magazine, the one where my design is on the cover. They’re at a local yarn store, and the woman has beautiful glass heads on display. Do I like them?

I look at the picture. Yes, I tell my parents. They’re beautiful! Are they for sale?

No, but my father is on the hunt. He’s seen what I mean, and those are perfect.

Need I tell you what I got for Christmas?

TWO!

Well, all this time I’ve also been searching for a book, called Flawless Knit Repair by a woman named Rena Crockett. (I know how to do knit repair. I wanted to see how this woman did it, and if we did anything different… but that’s another story.) This book is like Sasquatch. Published in 1998, there’s a review in a back copy of Piecework, mentioning that you can write to her and send a check plus shipping, and she’ll send you a copy. Someone says they once saw a copy. Kate Atherly references the book in a Knitty Article. It’s cited in The Principles of Knitting. But nobody, nobody carries it. It went out of print a few years later, and it has been a small, self-published print run, in the era of Then, I find one copy – on Amazon for nearly $100. It’s by all reports a 20 page book – I’m not paying that much for it.

So I go online, finding old listings for the book on outdated websites for stores and call them up – by any chance do they still have the book in stock?

Not a chance.

I’ve started calling up libraries in the area of the place where you could write to the Author to request a copy, hoping that someone might be willing to even copy the pages of this out of print book – no luck. I’m getting to the point where I’m going to start creepily messaging people on Ravelry who have mentioned the book, asking if they have a copy.

And then, it occurs to mention to my father that I’m looking for the book.

“Rena Crockett,” I tell him, “Flawless Knit Repair.” “Just in case you happen to see it at a flea market or something.”

Well, I’ll tell you what my father found. Last week, an Ebay listing came up, from a woman somewhere in Maine.

And you know what I have in my hot, precious hands right now?

Thanks, dad.

First Snowfall!

January 14, 2015 by Jennifer Raymond

Snow!

This morning I awoke to a familiar hue of light – grey and still. There’s a nearly indescribable quality on mornings after a snowfall, as the bluish/whitish light from the clouds is reflected off of the snow, sneaking through blinds and curtains. When I lived in New York and Massachusetts, it was fairly common (as every week brings multiple snowfalls, some big some small), but now that we live outside of Richmond, any snowfall is a much rarer event.

And this snowfall was made more special because it’s the very first snowfall of the year – seemingly apropo of my blog post two days ago.

All I can say about the Annie’s Project is it involves this really big ball of
rags. Peake keeps trying to figure out how to steal it.

Earlier this week I bought myself some maple syrup (overpriced and… I’ll be a little snobby – not as good of quality as the stuff I’m used to), as I was feeling a hankering. Sugaring season is at least a month away, but I was feeling the need. There’s nothing like the taste of sweetening your tea with maple syrup, or putting it in yogurt, or drizzling it over oatmeal like I did this morning.

Today is a day for tucking in and getting crafting done. Unlike many around me, I don’t have a snow day today, but I can at least allow myself to do the fun parts of my job: like plugging away on the project I’m doing for Annie’s Crochet!, or working on the sample for the class I’m teaching at Fibre Space in two weekends. It’s a day for a big pot of tea, and soup at lunchtime.

I’ve also been working on a bunch of repair work lately, which has been satisfying. I really love doing repair work, and I’m working this year on documenting my process a little bit more. Part of that is taking pictures, like this one:

Repair work on a cardigan in lace weight single-ply yarn. I can’t even imagine knitting it.

Last two tidbits: I sent out my last newsletter last Friday, talking about teaching dates. If you don’t subscribe, you can do it on the website with the little tab to the left. It’s a good way to keep track of what’s going on.

I’ve also been a lot more active on Twitter lately. If you’re interested in seeing a bit more of my behind-the-scenes process, you should follow me on twitter.

Sign me up!

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Tinking Turtle

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